Formed in 1946, The Chordettes rise to fame began with their appearance on Arthur Godfrey’s Talent Scouts in 1949. Their signature a cappella style, combined with their charming stage presence, set them apart from other groups. The Chordettes’ breakthrough hit, “Mr. Sandman,” released in 1954, became an instant classic. Its whimsical lyrics and catchy melody made it a staple on the radio, and it remains a nostalgic favorite even today.
Following “Mr. Sandman,” The Chordettes continued to release hits that showcased their harmonious talents. Songs like “Lollipop” and “Never on Sunday” further cemented their place in pop music history. Their ability to blend their voices seamlessly created a sound that was both innovative and timeless. The group’s popularity was bolstered by their frequent television appearances, where they captivated audiences with their polished performances and endearing charm.
The Chordettes performing “Lollipop” on The Ed Sullivan Show
Throughout the years, The Chordettes’ music has been celebrated for its nostalgic quality and its influence on future vocal groups. Their songs have been covered by numerous artists, and their style has inspired many. The Chordettes’ legacy is a testament to the enduring appeal of well-crafted harmonies and catchy tunes. They remain a beloved part of American musical history, fondly remembered by fans old and new.
We’ve gathered a collection of photos, articles and videos to celebrate The Chordettes and their contributions to music. Explore our collection to relive the magic of their performances and learn more about their journey. The Chordettes’ story is one of talent, charm, and unforgettable music, and we’re excited to share it with you!
The Chordettes’ recording of “Mr. Sandman” sold two million copies, and first carried the pretty foursome high in the entertainment field.
“Sandman” was the second tune to remain atop the nation’s hit parade for 21 weeks. “Lollipop,” another Chordette recording, passed the one million mark in sales for their second-most popular effort.
Among their other best-selling recordings have been “Zorro,” “Love is a Two-Way Street,” “Eddie, My Love,” “Whistling Willie,” and “Born to Be With You.”
Originally organized about 10 years ago on a Sunday afternoon in Sheboygan, Wisconsin, the four got their first big break on the Arthur Godfrey Talent Scout show. They remained with Godfrey for four years.
Besides the Godfrey show, the Chordettes have also appeared on the Perry Como, Ed Sullivan, Eddie Fisher, Vaughn Monroe, Russ Morgan, Sammy Kaye, Jack Paar, Robert Q. Lewis, Dick Clark and Kate Smith shows on television.
They have also headlined shows at several of the nation’s top nightspots, and have appeared to provide entertainment at the Mrs. America contest in Florida for the past three years.
Jinny Lockard is the originator of the group, and sings the lilting tenor which floats above the melody of “lead.” Her husband is Tom Lockard, one of the Godfrey Mariners. Jinny’s father, King Cole, then president of the Society for the Preservation and Encouragement of Barber Shop Quartet Singing, backed the girls.
Energetic Lynn Evans is the lead, and sings the melody for the Chordettes. She sang with her own barbershop quartet before becoming a member of the group.
Baritone of the group, who sings harmony below the lead or melody, is Carol Bushman. Considered the most versatile member of the team, she can sing any part. Her husband, Bob Bushman, is a Chicago restaurant owner.
The Chordettes performing “Eddie, My Love” live on the radio
A long record of professional singing followed Nancy Overton into the Chordettes. She appeared on a number of television programs before becoming a member of the group. Her husband, Hall Overton, is a jazz musician, teacher and composer.
Around the time she had her second son, Nancy left The Chordettes. She was replaced by Joyce Weston, aka Joyce Creatore, whose husband Luigi Creatore was an established songwriter, and co-wrote “Can’t Help Falling in Love” for Elvis Presley.
Chordettes sing and work harmoniously
With so much talent and experience, that prompted a question: How do four girls get along so well together? The query brought a surprising revelation about harmony among harmonizers.
“It’s better to have four girls,” the girls say, then to have three. In any disagreement, the four often balance off two to two, but with three, there can get to be a bad two-to-one standoff.”
Though confessing occasional differences of opinion, they sound both on stage and around a table as if they hadn’t hit a disagreeable note since their first barbershop harmony launched them to fame.
Theirs is a soothing, entertaining show. Besides the familiar “Mr. Sandman” and “Lollipop,” they inject some pleasant chatter and needling of each other and a little bit of the twist into the repertoire.
Opening night, they spent a lot of time with “Personality,” each taking off on something to her fancy.
The choice of song title was eminently suitable. The quartet is loaded with personality.
Video: The Chordettes performing Mr. Sandman in 1958
Chordettes’ smooth harmony pleases audiences
Tampa Bay Times (St. Petersburg, Florida) November 11, 1959
“Hail, Hail, the Gang’s All Here” harmonized the Chordettes for their opening number at the Colonial Inn Monday night. And the gang was all there for what you might call a St. Petersburg song jubilee!
Elegantly gowned in pink, the Chordettes were vivacious, attractive and so harmonious. Their second selection was an interesting arrangement of “Don’t Take Your Love From Me,” ending in a rumba beat.
Another special arrangement was a segment devoted to “The Blues” including such favorites as “Mood Indigo” and “Birth of the Blues.” From this, they jumped into a swingin’ version of “Wait ’til the Sun Shines Nellie.”
Then Jinny, a vivacious blonde who sings top, announced that the Chordettes began their career as a barbershop quartet, and enjoyed this type of singing most of all.
The auditorium burst into applause when they began the familiar “Mr. Sandman.” The girls displayed great touches of humor in “Lollipop” and the encore number, “I Enjoy Being a Girl.”
At the request of the audience, they performed some more barbershop-style — “Sleep, Kentucky Babe” and “They Say That Falling in Love Is Wonderful,” performing beautifully as a quartette; each voice blended into one.
To introduce them personally, they are Jenny, top, blonde and cute; Lynn, lead, with a beautiful, smooth voice; Carol, baritone, tall and talented; and Nancy, who, since we were face to face, admitted that she was a bass.
Video: 2015 interview with Lynn Evans about her experiences as a Chordette
