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Take a trip back to New York’s original Waldorf-Astoria Hotel & see inside this famously luxurious old hotel

1800s, 1900s, Culture & lifestyle, Featured stories, Old cities and places, Old photos & vintage photography, Vintage money & work

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The original Waldorf-Astoria was among America’s first big hotels. When it was built during the Victorian era, and for years thereafter, it was considered the finest hotel in the world — and it soon became the most famous, for its reputation was carried wherever civilization had spread, and even where only explorers had gone.

The roster of its clientele has bristled from its earliest days with the names of those who have made history, who have made laws, who have made literature, no less than with those of the leaders of finance and every department of industry.

Kings and princes have made it their New York abode. The New York home of presidents and potentates, of great statesmen, great financiers and great industrialists, its prestige has never become dim.

The original Waldorf-Astoria Hotel owed its inception to William Waldorf Astor, later Baron Astor of England. To a decision of Mr. Astor, made in the spring of 1890, that he would thereafter make his residence in England, is to be attributed the building of the Waldorf — the first of the double structures of which the Waldorf-Astoria is composed.

Ballrooms, foyers & gardens: The original Waldorf-Astoria Hotel in 1903

Waldorf state apartments - 1903 — The Famous Waldorf State Apartments are on the same floor at the Thirty-third Street and Fifth Avenue corner.

East or Caen Foyer - The Astoria — The East or Caen Foyer. Containing Story’s original statue, “Cleopatra,” “Jephtha’s Daughter” and “Undine” by Ives, and “The Reading Girl,” bv Magni. It is intended to place other statues by famous sculptors in this room as they can be obtained.

Inside the Waldorf-Astoria Hotel - Main office - 1903 — The Main Office has various sections dividing the many departments to facilitate business.

Main foyer at the Astoria Hotel in 1903 — Main Foyer. Thirty-fourth Street side. Statue of “Vanity,” by Guarnerio. Statue of “Night” by Ives.

Marie Antoinette room at the Waldorf in 1903 — Marie Antoinette Room. Thirty-third Street side. Ceiling, “Birth of Venus,” by Low. Original armchair with footrest from “The Louvre.” The clock on mantle is the original. Bronze bust of Marie Antoinette with medallion of Louis XVI. Grand piano, an exquisite example of modern art. All other furniture in this room is reproduced from the original.

South Palm Garden at the Waldorf Hotel in NYC - 1903 — The Waldorf Palm Garden has a revolving dome.

The Astor Gallery at the Astoria Hotel in Manhattan - 1903 — The Astor Gallery (after the Palais Soubise, Paris). Its sixteen magnificent allegorical paintings, of the twelve months and the four seasons, are by Simmons.

The Astoria hotel restaurant - 1903 — The Astoria Restaurant. Thirty-fourth Street corner. Mural paintings by Turner.

The Astoria's grand ballroom — The Grand Ball Room, 100 feet square and 40 feet high. This magnificent room has 25 first tier and 18 second tier boxes, and can be arranged at short notice either as a ballroom, concert room, dining room or private theatre.

The Gentlemen's Cafe at the Astoria Hotel in New York City - 1903 — Gentlemen’s Cafe. Thirty-fourth Street and Astor Court. Attention is called to the handsome fireplace.

The Myrtle Room at the Astoria Hotel in New York — The Myrtle Room. Attention is called to the delicate green tints in the decorations and exquisite embroideries on the curtains and portieres.

The Red Room or the Library at the Waldorf Hotel in 1903 — The Red Room or Library. Note the delicate wood carving and oak panels. The canvas frieze was painted by Maynard.

The restaurant at New York City's Waldorf Hotel in 1903 — The Waldorf Restaurant. Thirty-third Street corner. Particular attention is called to the exquisite brass work and paneling.

The small ballroom at the Waldorf Hotel — Small Ball Room. Thirty-third Street side. Ceiling paintings by Fowler. Lunettes by Armstrong.

The Turkish Salon at the Waldorf Hotel in NYC - 1903 — Turkish Rooms. Thirty-third Street side. Beautiful mosaic work. Sword of Napoleon the First.

The Waldorf-Astoria grand ball room as a theater - 1903 — The ceiling was painted by Blashfield, and is believed to be the largest single canvas in the world. The Lunettes are by Low. This room has a special lighting and ventilating plant.

The West Foyer of the Astoria Hotel in 1903 — The West Foyer, adjoining the Grand Ball Room, contains Benzoni’s great statue “The Flight from Pompeii.”

The original Waldorf Hotel in New York City

In the winter of 1893, the Waldorf really began to come into its own. Not only had New York “caught on” to the real loveliness — back of all the sheer opulence and magnificence — of its new toy, but the rest of the country had followed likewise.

Yet, large as was the Waldorf, it was not nearly large enough. The demands upon its hospitality grew more pressing each month.

New York now was coming uptown by leaps and by bounds. Fifth Avenue as a residence thoroughfare — between Twelfth Street and Fiftieth, at least — was gone. In place of the old brownstone and red-brick fronts were coming shops — shops of high degree and of wonderful loveliness in all of their offerings — but shops nonetheless. Yet they but added to the éclat and to the prestige of the Waldorf, and to the terrific demands for rooms, particularly in the more crowded seasons of the year.

To be a room-clerk in the old Thirty-third Street office during Horse Show week or that of the beginning of the opera season was no sinecure. One had to have the wit and the diplomacy of a Talleyrand or a Disraeli — or both of them together.

In addition to all of this, there was an increasing demand upon the hotel for formal social functions of almost every conceivable sort. Mr. Bagby was organizing his Monday Morning Musicales; dining clubs, such as the Southern Society and that of the Ohio and the Sphinx Club, were fairly springing into existence, with the superior cuisine of the Waldorf always as the largest excuse for their being.

The original Astoria Hotel

By the summer of 1896, the Astoria was well upon its way toward completion. The details of its magnificence were beginning to seep out into New York. More than the original Waldorf ever had been, this house was to be recognized as a semi-public institution. Its very coming seemed to mark a distinctive change in the urban civilization of America.

Sharp observers of our social customs began to perceive a definite tendency on the part of well-to-do folk to make their real homes in the country, coming to New York for but three or four or possibly five or six months in the winter. To cater to these folk was the special desire of the Waldorf-Astoria.

Gradually it was to become slightly less a hotel for the mere feeding and housing of travelers, and considerably more a semi-public institution designed for furnishing the prosperous residents of the New York metropolitan district with all the luxuries of urban life. With this in view, great attention was given to the planning of the ballrooms and other apartments of public assemblage in the Astoria.

The Astor Gallery alone — in the style of Louis XV and an exact replica of the historic Crystal Room at the Soubise Palace, Paris — would have been a great acquisition of itself, for any hotel. Yet it was overshadowed by the main ballroom adjoining, which remains to this day, after all these years, the most sumptuous apartment of its sort in New York, if not indeed in all America. To paint its lesser murals, Turner and Low and Simmons were summoned by Colonel Astor; for its giant ceiling, the genius of E. H. Blashfield was employed. The results speak for themselves.

The semi-public character of the new Astoria was reflected also in its spacious rooms upon the ground floor. Into it — upon the Thirty-fourth Street side of the enlarged and hyphenated hotel — were moved the offices and accounting departments of the combined establishments.

An open court, a twin to the Palm Garden, but a full two stories in height, was built adjoining that room. And likewise a Fifth Avenue restaurant similar in size and type and immediately adjoining the Fifth Avenue restaurant of the original Waldorf.

The men’s cafe was moved out of the Oak Room and into the Astoria, and Mr. Boldt conceded to it at last, a standing bar, a huge affair (eventually four-sided), which at once became a tremendous success and which was in no little way responsible for the Waldorf-Astoria becoming known in New York as “the club of all clubs.”

In its cafe at five in the afternoon could ever be found the representative men of the town. To that room, Wall Street adjourned at the close of business downtown. And the late tickers buzzed with the gossip of what was being said and done at the Waldorf that evening.

As a final concession to a really public institution, there was “Peacock Alley,” as some irrepressible reporter immediately dubbed the glorious main corridor along the Thirty-fourth Street side of the hyphenated hotel. As the Waldorf-Astoria was “the club of all clubs” of New York, Peacock Alley was at once “the street of all streets.” Through it marched the smartness of the town — masculine as well as feminine. To see, in Peacock Alley, and to be seen, in Peacock Alley — that was the proper thing.

The future of the Waldorf-Astoria?

To prophesy far into the future of any institution in a great and rapidly changing city like New York is sheerest folly. But for a decade — two decades — three decades to come, the future of the Waldorf seems assured.

It will continue to be the house of good service, the house of good eating, the house of good comfort of every sort. To the vastness of its acquired prestige, it steadily is adding new laurels.

It is one of the few hotels in America known internationally. In 1893, Eulalie, princess of old Spain, came to stop under its roof; nine years later came the affable Henry of Prussia; just yesterday, it seems, came the King and the Queen of the Belgians — heroic figures of the most terrible war of all history. And upon their heels, that boyish young Briton who seems to be destined to be the reigning monarch of the most powerful kingdom upon the face of the earth.

All these, and hundreds of others from oveseas. And from the United States the tens and hundreds of thousands. In the vast accumulation of the carefully-preserved registers of the hotel is the real Who’s Who of America. There is not a state that is missing in that list, and hardly a town or a village from all the way across the land.

The question now is answered. It seemingly is as firmly assured as is its past, and of that past you have just had the brief telling.

The suite life: See the rooms at the elegant old Waldorf-Astoria Hotel (1903)

THE WALDORF occupies the former site of the late Mr John Jacob Astor’s townhouse, northwest corner of Fifth Avenue and Thirty-third Street and was erected by his son, the Honorable William Waldorf Astor, for Mr. Boldt.

Ground was broken November 1st, 1890, and the house was opened for business March 14th, 1893. The hotel derives its name from the little town of Waldorf, in the Duchy of Baden, Germany, which was the ancestral home of the Astor family.

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THE ASTORIA occupies the former site of the late Mr William B. Astor’s townhouse, southwest corner of Fifth Avenue and Thirty-fourth Street, and was erected by his son, Col. John Jacob Astor.

Ground was broken May 1st, 1895, and the house was opened for business November 1st, 1897. This hotel was named after the town of Astoria, founded in the year 1811 by John Jacob Astor, the first, at the mouth of the Columbia River, Oregon. The combined hotels are known under the title of The Waldorf-Astoria.

About the Waldorf-Astoria rooms and suites

The Bedrooms: There are in all about 1,300 sleeping rooms and 800 bathrooms; those in the Waldorf part of the hotel are mainly furnished after distinctive periods, while those on the Astoria side are treated in a somewhat lighter and more floral tone. All bathrooms face and ventilate to the open air.

The Fifth Avenue Corner Suites are arranged as complete private apartments, with dining room and butler’s pantries, the latter being supplied with electric heating apparatus.

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THE ASTORIA HOTEL SIDE OF THE WALDORF-ASTORIA

The Royal Suite – Louis Bedroom – The Astoria Hotel

The Royal Suite (two flights up), corner of Thirty-fourth Street and Fifth Avenue. This suite consists of a drawing room, dining room and seven bedrooms. The drawing room is furnished after the old Italian, and the bedrooms after the Louis periods, respectively.

Fifth Ave corner suite – drawing room – Astoria Hotel

Double bedroom at the Astoria Hotel

Bathroom in Waldorf-Astoria Hotel room

THE WALDORF HOTEL SIDE OF THE WALDORF-ASTORIA

Pomp and circumstance. The large Waldorf. The luxurious Waldorf. The glorious Waldorf.

How New York — huge, calm, sophisticated New York — gazed and gaped at the splendors of its newest tavern. People flocked to it by the hundreds and by the thousands; they engaged tables in all of its restaurants days and even weeks in advance. They filled its sleeping rooms.

When they could not do any of these things, they just came — open-eyed — to return, more open-eyed than before. For these last, professional guides were engaged; probably for the first time in the history of any hotel. These young men, glib of tongue and pleasing of manner, were hired to direct strangers through the hotel and to spare no details of information in regard to it.