That would be Candice Bergen — yes, that Candice Bergen — who not only grew up as Hollywood royalty but managed to build a career that was always a little offbeat and never quite what anyone expected. (And in one of those life-imitates-art moments, she once played a Vogue editor herself on Sex and the City.)
Long before the role that made her a household name as Murphy Brown, Candice was a model, a movie star, and a reluctant member of the Hollywood in-crowd. Born in 1946 to famed ventriloquist Edgar Bergen and model-turned-actress Frances Bergen, Candice spent her childhood in the orbit of Charlie McCarthy — the dummy, not the neighbor kid — and the bright lights of Beverly Hills. But for all her connections, she always had a knack for doing things her own way.
She attended the Westlake School for Girls and later headed to the University of Pennsylvania. College didn’t stick, but she found something else on campus that did — acting. A few school productions later, she was cast in Sidney Lumet’s The Group, a major film with a provocative storyline and an even more provocative character for a newcomer to play. She hadn’t taken acting classes, nor was she part of a studio system — she’d been spotted at a restaurant and given a shot… and that’s how her film and TV career started in 1966.
The late ‘60s and early ‘70s saw Candice Bergen in a wide range of roles: The Sand Pebbles with Steve McQueen, Carnal Knowledge with Jack Nicholson, and the slightly surreal The Day the Fish Came Out with Greek director Michael Cacoyannis.
But even as she built her résumé, she didn’t always love the work — or the world that came with it. She was open about how strange she found Hollywood, calling it a “plastic nightmare,” and often seemed more interested in finding her own sense of identity than climbing any industry ladder.
Carnal Knowledge trailer (1971)
Still, she worked steadily, developing a reputation as an actress who chose interesting, sometimes risky roles. She also modeled, though she famously said it bored her to tears, and she dabbled in writing long before most people knew she had that in her. It wasn’t until the late 1980s that she found a role that truly felt like hers.
In 1988, Candice returned to television as Murphy Brown — a sharp, no-nonsense journalist with a sense of humor and a point of view. It was a cultural moment. She won five Emmys for the role, and the character became part of a national conversation when then-Vice President Dan Quayle criticized the show’s portrayal of single motherhood. But Bergen stood behind that role, as well as the broader message, weaving that real-life critique into the show’s storyline in a way that audiences still remember.
Murphy Brown vs Vice President Dan Quayle video clip
Later, she joined Boston Legal as Shirley Schmidt, another strong-willed character in a sharp ensemble cast. She popped up in films like Miss Congeniality and Book Club, made guest appearances on House, Will & Grace and Sex and the City — where, in a funny twist, she played a Vogue editor, foreshadowing her daughter Chloe Malle’s future at the same magazine.
That mother-daughter dynamic is a quieter but fascinating part of Candice’s story. She married French director Louis Malle (known for Pretty Baby, the film Atlantic City, and My Dinner with Andre, among others) in 1980, and the two had Chloe in 1985. After Malle passed away in 1995, Candice married businessman Marshall Rose, who passed away in early 2025.
Chloe grew up mostly out of the spotlight, but has recently stepped into a very public role of her own — as the new editor leading Vogue into its next chapter. For fans who remember Candice as Murphy Brown or as a cool, disaffected starlet in 1970s Europe, it’s a full-circle kind of moment.
Off-screen, Candice Bergen has always kept a hand in creative work. She’s written two memoirs — Knock Wood in 1984 and A Fine Romance in 2015 — both marked by the same dry wit and clarity she brings to her acting. She also turned a side project into something personal and fun: Painting on handbags with her daughter, Chloe, for a charity initiative called BergenBags.
These days, she surfaces rarely but memorably — most recently at the 2025 Sun Valley Conference, where she made a quiet but noticeable appearance. She’s no longer chasing roles or headlines, but her influence lingers. Candice Bergen shaped her career on her own terms, whether that meant turning down scripts, disappearing to Greece, or leaning into a role that made space for smart women on television.
Below, we’ve pulled together vintage photos and original articles on Candice Bergen — from early modeling shoots and film stills to behind-the-scenes glimpses and family moments. Take a look and see how this Hollywood daughter carved out her own path — and how it all connects to the next generation.
Candice Bergen’s mom talks about her daughter: Sweet success for Candy (1966)
From The Courier-Journal (Louisville, Kentucky) March 27, 1966
Hollywood — “For years,” said Mrs. Edgar Bergen, “I was the ventriloquist’s wife, Charlie McCarthy’s stepmother.
“Now I have a new career. I’m Candy’s mother.”
Vivacious Francis Bergen spoke with humor rather than rancor — very much the proud mother as she talked of the rocket-like rise of her daughter, Candice Bergen, to movie fame at 19.
“Oh, wait until I tell her’ Mrs. Bergen said. “When my husband and I saw ‘The Group,’ Candy’s first picture, the other night, James Bond (Sean Connery) was in the audience.
“Later, someone introduced Mr. Connery, and he said, ‘Oh, I say, you’re Candice’s mother.’ I got it even from him.”
Reacted to Offer
Mrs. Bergen, a slim blonde with a warm, friendly manner, admitted she reacted rather strongly when her daughter was offered the role of Lakey, a lesbian, in “The Group.”
“I made sounds like a mid-Victorian mother,” she said. “But my husband, in his calm, Swedish way, made me think about it.
“I’ll admit we had mixed emotions about it. Candy — Candice, I’m supposed to call her Candice now — had a small part, and she has been embarrassed by the publicity she has gotten.
“But for what she had to do and for what she did, her father and I thought she did quite well.”
Candy’s famed father, Edgar Bergen, has been touched by her success also. He stuck his well-known face into the comfortable living room of their Beverly Hills home to tell his wife this:
“I came home from the office to get away from the phone, and it’s no better here. MGM just called and said, ‘We’d like to talk to you about a picture’. I said, ‘You’ll find me very reasonable.’ And the man said, ‘Well, no, I mean a picture for your daughter.'”
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Movie offers have been rolling in for Candy since she was 12, Mrs. Bergen said.
“Every time we’d get an offer, we’d be very honest with her and talk it over. Then we wouldn’t sleep all night for fear she’d want to do it. We felt acting would be there a few more years.
“The next morning she’d wake up talking about something else. She did tell me once she thought she might be an actress except for two things: ‘I might not be a good actress, and because I’m afraid of what it might do to me as a human being.'”
Frances Bergen admits she has a few qualms about the suddenness of Candy’s fame.
“People come up to her and say, ‘Ooh, you’re so beautiful,'” she said. “There’s so much attention and adulation at once.”
Earned It on Her Own
“But Candy has a very good head on her shoulders — she’s so much like her father. I think she has the ability to know where she’s going and to take things in her stride — without taking them for granted.”
Mrs. Bergen made it clear that Candy earned her movie offer on her own, not because of her father.
“Sidney Lumet (director of ‘The Group’) saw her in a restaurant in New York. He had no idea who she was, but without a test or anything, he said, ‘that girl is Lakey.'”
The part interrupted Candy’s studies at the University of Pennsylvania, where she apparently developed her first interest in acting.
“She had never had drama lessons,” Mrs. Bergen said, “In fact, she hadn’t even belonged to the drama club at Westlake School. But she joined the University of Pennsylvania players, and she had the lead in ‘Summer and Smoke.’ Nothing like cutting your teeth on Tennessee Williams.”
Previously, Candy had been a model here and in New York.
“After her freshman year in college,” Mrs. Bergen said, “she wanted to stay in New York for the summer and model. She wanted to get an apartment, but I said, ‘over mother’s dead body. You’ll stay at the Barbizon for women. If it was good enough for your mother and Princess Grace Kelly, it’s good enough for you.'”
Mrs. Bergen, who said she had wanted to be a model “the way some girls want to be actresses,” admitted modeling didn’t hold much appeal for her daughter.
“It didn’t really satisfy Candy,” she said. “It’s too much facade, and she couldn’t sit still long enough. She’d rather be on the other side of the camera.
“But it paid so well, and Candy has a great respect for the all-American buck.”
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Candy apparently has no steady boyfriend at the moment, Mrs. Bergen said — “unless there’s someone we don’t know.”
Vintage Candice Bergen for Clairol Shampoo (1965)
This world-famous hairdresser tells why you should use a special colorfast if you color or lighten your hair! Enrico Caruso of New York lights up natural beauty by the subtle arts of hair coloring and design.
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Actress Candice Bergen: Candy is a star, but knocks her star status (1968)
Norma Lee Browning – Fort Lauderdale News (Florida) March 24, 1968
Hollywood, Calif — Somewhere between finishing school in Switzerland, partridge hunts in Spain, and her palatial parental pad in Beverly Hills, Edgar Bergen’s carefree kid, Candy, lost herself.
But here she is in a lonely cove on the lovely island of Majorca, rehearsing a scene with Michael Caine.
“You’ve come! You’ve come!” she cries, leaping from the sea like a mermaid, an ethereal, leggy creature in a purple bathing suit, skinny as a stick, long blonde hair streaming down her back. They go into a clinch at the water’s edge.
“Cut… Once more… Cut… Once more…”
Endless takes until the Mediterranean sun finally conks out — in a darkly overcast sky.
A wardrobe woman wraps her in a lavender terrycloth robe; she sprints over to a clump of Mediterranean pines and collapses, shivering, in a chair marked Candice Bergen. (She hates the name Candy, but is rarely called Candice.)
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“Why do I do it? Why?” she says. “It’s not what I am or want to be. It’s so contrary to what makes me happy. And I honestly don’t know what I’m doing.
“I’m not an actress. I’m just a kid who goes out there and reads a line. I know what I want to do. The next thing is doing it. I would be very proud of myself if I could give up acting.”
With her fair skin, full mouth, and natural outdoorsy, white-gloved blonde good looks, she might be called a cross between Grace Kelly and Ingrid Bergman, who isn’t a bad cross to bear.
But there is no doubt Candice Bergen meant exactly what she said at the time she was saying it.
She seems distraught at being a genuine, certifiable movie star at 21, and doing the sort of thing most girls would give their eyeteeth to be doing — like rehearsing love scenes with a Caine or a McQueen. She seems anguished at her plight as a poor little rich girl.
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“I had a mink when I was 20. I hated it. But I wanted a warm coat. I had $20,000 worth of jewels. I gave them all to my mother.
“I traveled alone and went all over the world when I was 19. I wanted money because there were things I wanted to buy, like pretty clothes and a carousel horse. I’m out of that now, over all those frustrations.
“It was in Greece that I began to find myself. I dropped my mink and jewelry and found my equilibrium. I gave up my apartment in New York because the jet set and parties are not the kind of life I want. I read some books on self-realization.
“Maybe I haven’t found exactly what I do want, but I’ve found what I should want. Now the thing is to do it — it’s commitment.”
Her commitment is uncertain
Commitment is the all-important thing to Candice Bergen at 21. But commitment to what?
There is something poignant, pathetic, and appealing in her candor — and in her confusion — as she talks of what it is like to be thrust into the life of a second-generation Hollywood movie star.
“I’m afraid my parents disapprove of most of the things I do and the way I live and think. I’m sure they must wonder where they’ve gone wrong with me,” she says quietly.
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So what’s wrong?
In a teenage magazine poll, she has been voted the girl most girls would like to be. She has been called “another Ingrid Bergman” by one of Hollywood’s top directors, Robert Wise who directed her in “Sand Pebbles.”
“She has the combination of beauty and talent that we always seek and rarely find. If she wants it, Candy can be the biggest international star in the business,’ he says.
Candy keeps saying now, she doesn’t want it — but she’s still accepting star roles at $100,000 (and up) per picture, thereby winning no popularity contests with her colleagues who say, Nobody’s holding a gun in your back. If you don’t like it, don’t knock it.
Hollywood is a ‘plastic nightmare’
She doesn’t even pretend to like Hollywood. “A plastic nightmare,” she calls it. She says that most movies out of the film capital are “Hollywood garbage.”
But she wanted the role in her latest movie, “The Magus,” filmed in Majorca.
“It’s the only thing I’ve ever asked to do,” she says. “I felt a very strong kinship with Lily. I was offered the other part (that of an airline hostess, Anne, played by Anna Karina) but I held out.”
Lily is a confused, elusive character (known also as Julie) who makes a major project of being In Search of Herself.
While Candy’s roles have won her no Oscars they have a certain built-in shock value which the non-conformist actress delights in. She played a lesbian in ‘The Group,” a female Don Juan in “The Day the Fish Came Out,” and she explains Lily as a “schizophrenic nymphomaniac’ in a mysterious game of human chess.
‘How many such roles are there? But I got them! I’m just a lucky girl.”
In the next breath, she declaims: “I think acting is very, very self-destructive, especially for a woman. Women are vain enough in the first place without destroying themselves with all this.”
Beverly Hills is a ‘disaster area’
I first met Candice at a cocktail party in Madrid. It is impossible to catch up with her in Hollywood. She has never made a movie in a movie capital.
She breezes in and out to see her parents and her boyfriend, Terry Melcher, Doris Day’s son, but by and large, she regards her birthplace, Beverly Hills, as a disaster area of affluent chaos.
She describes it as “a modest suburb of Bel Air with vinyl trees and artificial grass and no garbage cans on the street… where I spent my youth in candy-coated chiaroscuro.”
In Madrid she had just ended a grueling day of doing all the self-destructive things she loathed, being a Hollywood movie star, explaining in interviews. why 20th Century Fox had brought her to Spain.
At the evenings’ cocktail party for the press, she wore a black and white mini-dress and drank orange juice.
She was tense and agitated. Studio publicists winced, writhed, and wriggled as she berated Hollywood and complained about script changes.
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She was the young sophisticate and the little girl lost, not a hippie, but both hip and square, woman and girl-child, but there’s one thing she was not, and that’s the girl next door.
When we met the following morning to fly to Majorca, she was wearing a sunflower yellow long-sleeved shirt and beige hip-huggers. She spent most of the flight reading a book on Spanish architecture.
Her chauffeur and houseman, Juan, was at the airport to meet her with her dog, a Dandie Dinmont terrier (of English-Scottish breed) named Moose. She and Moore adore each other.
During the drive into town, Candy confessed her disappointment that the picture was being filmed here. “The Magus” was John Fowles’ novel about a young English teacher on a lonely Greek island, but Hollywood switched the locale to unlonely, tourist-infested Majorca.
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She Adores Greece
Candy adores Greece. (That’s where she made ‘The Day the Fish Came Out” for Greek director Michael Cacoyannis. )
“I thought they were going to film this one in Greece. That’s one of the reasons I asked to do Lily. I read the book when it first came out and loved it; perhaps because I love Greece. And now here I am… here! … it’s so big I didn’t know islands were like this,” she says.
“I moved out of the hotel. I couldn’t bear it, taking a risk of being hit by a car every time you step out the door.”
Her co-stars — Caine, Anthony Quinn, and Anna Karina — all managed to endure the luxury of Majorca’s Nixie Palace hotel, but Candice fled to a California-Mediterranean villa in the country.
Owned by one of the richest doctors in Madrid, it is a split-level with balconies, barbecue pit (for American hot dogs), no telephone, only one maid (local Spanish), and a. winding path down to the beach.
Candice hates cities, “But did you know there are same 13th-century farmhouses here?”
Britain’s famed clairvoyant, Maurice Woodruff, in Majorca as consultant on certain mystical aspects of “The Mages,” surreptitiously peered into Candy’s future and informed me: “She will marry within the year — this time. She is very naive, and has not the capacity to be continuously happy.'”
Candice with friend on Ladies Home Journal (1975)
With Jane Goodall in Africa — Candice Bergen’s own story of life among the chimps.
Candice Bergen on the cover of People (1975)
Candice Bergen; “Men are such jerks about beautiful women.”
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One Response
No matter what else Candice Bergen has done or will do in her career, the one thing I’ll always remember her for is that early SNL “dangerous toys” sketch with Dan Ackroyd featuring “Johnny Switchblade” and the “Bag-O-Glass.” They replay it every Christmas, and even though it’s nearly 50 years old, it still cracks me up.