jazz

Vintage musician Thelonious Monk
Thelonious Monk altered the language of jazz (1982)

“Thelonious,” a tune from his very first Blue Note session, had verses fashioned from a single ingeniously hammered note, with three horns playing shifting dissonances behind it. He developed the one-note motif in his solo and then abruptly broke into some pure, old-fashioned Harlem oompah stride.