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music

1940s

Thelonious Monk altered the language of jazz (1982)

“Thelonious,” a tune from his very first Blue Note session, had verses fashioned from a single ingeniously hammered note, with three horns playing shifting dissonances behind it. He developed the one-note motif in his solo and then abruptly broke into some pure, old-fashioned Harlem oompah stride.

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