For more about the mansion and its grounds, below is some text from the National Register of Historic Places nomination form from 1975, detailing the features of the residence located at 80 Wethersfield Avenue in Hartford.
About the Samuel Colt Home in Hartford, Connecticut
The James B Colt House sits on a half-acre parcel, fronting on Wethersfield Avenue and bounded north and east by Colt Park, the original estate of Samuel Colt, inventor; and manufacturer of the Colt 45 and first president of Colt’s Patent Firearms Company. The site was originally part of the spacious Colt estate, and it commands a magnificent view from its ridge-top location over the Park and the Connecticut River Valley to the east.
Directly north, flanking the north side of the main entrance to Colt Park, is Armsmear, Sam Colt’s opulent Victorian mansion, the architectural “big sister” to the James B. Colt House. Across Wethersfield Avenue from the Colt mansions is a unique, but deteriorating grouping of Victorian mansions originally occupied by wealthy professionals and businessmen, some of whom were officers of Colt’s Firearms. South of the James B Colt House along Wethersfield Avenue for several blocks is a fine collection of large Queen Anne style homes which add a complementary grace to the neighborhood.
The building is a fine example of the Italian Villa architectural style, popular in the mid-1800s, and once prolific in the Colt Park neighborhood. The front (west facade) is imposing, yet gracious, rising three full stories, tastefully flanked on either side by unenclosed porches. This facade duplicates nearly all the architectural details found in the front (west) facade of its sister Armsmear; Italianate arched windows, large overhanging eaves supported with brackets, stucco finish.
The north side porch wraps around the front of the house to the front door, its three wooden columns and modestly-carved wooden arched setting a comfortable rhythm. The northwest corner of the house is capped with a peaked roof, approximately eighteen feet square and five feet high. The south portion of the front facade extends slightly forward of the front door, emphasized on the first floor by a “bay” with floor to ceiling windows.
The north facade, facing out on the adjacent Colt Park, reveals the full sixty-five foot depth of the house, the generosity of which is hidden from the front view by dense landscaping. Here the northwest corner tower with peaked roof is fully apparent dominating the otherwise flat roofline. Full floor-to-ceiling arched windows rise one above another for the three floors, centrally located in the corner tower. At the ground floor, the porch, wrapping around front and side of the tower, reveals through dense planting three semi-circular arches in porch woodwork, with ornamental brackets carrying a flat roof.
To the rear of the tower is a jog in the building line of the house, accounted for by a three foot deep indentation twelve feet long, breaking what would otherwise be a rather massive facade. Toward the rear, a chimney is visible on the roofline, betraying the presence of fireplaces now hidden by successive layers of modernization.
The rear of the house, too, faces out on Colt Park affording fine vistas. Immediately apparent is the lack of stucco finish, revealing the true brick wall material. From the rear, access is gained from massive ornamental cast iron stairs into the back of the building where an interior stairwell serves the three floors. The full rear profile reveals the large protruding three-story bay on the south facade of the house.
The south facade, too, is broken into two masses, offering pleasant relief in the depth of the building. Toward the front, windows on all three floors are positioned above each other, offering more regularity than on the north side. At ground level a comfortable veranda, graced with an intricately designed wooden railing stretches from the building front, half-way down the south facade. To the rear of the veranda, the facade is broken by a substantial three-story bay. At the roofline a chimney is visible in the middle of the facade, indicating the presence of four fireplaces inside the house. An iron fire escape has been added recently.
All facades remain as originally designed and built. The south facade has been visually disturbed by the iron fire escape, which can easily be removed. Certain brownstone carved details have eroded or chipped away, and the stucco exterior finish needs repair. Woodwork in the verandas and eaves requires repair, but overall the exterior of the building, set on a massive stone foundation, is structurally sound and architecturally intact.
The interior of the building has been “modernized” with dropped ceilings and wood paneling. However, above the dropped ceilings in several rooms, the original highly decorative plaster ceiling moldings remain. Several fireplaces with original massive Victorian wood mantles and beveled glass mirrors have escaped damage. Much original door and floor molding remains undisturbed.
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Source publication: All original images public domain, provided courtesy of the US Library of Congress